The Touching of the Touch – performance as itching and scratching a quasi-incestuous object [in Embodied Technology Journal, 2005]
THE DELEUZE-IAN/GUATTARIAN PERFORMANCE:
PERFORMANCING AT N-1 DIMENSIONS [ICMC Conference Proceedings, September 2005 + Body, Space, Technology Journal, 2005]The voice as transcursive inscriber –
Use of the voice in the work "IKAS" by Hans-Joachim Hespos [SMI Cork Conference Proceedings, May, 2005]The Old and The New and the New Old – a conceptual approach towards performing the changing body [Old and New Forms Conference; New Forms Festival ,Vancouver Canada, October 2004]
Papers: Pedro Rebelo
Rebelo, P. Alcorn, M. Wilson, P. A Stethoscope for Imaginary Sound: Interactive Sound in a Health Care Environment International Computer Music Conference Proceedings
Brown, K. Alcorn, M. Rebelo, (2005) P. Sound Diffusion Using Hand-Held Light-Emitting Controllers. International Computer Music Conference Proceedings
Davis, T., Rebelo, P. (2005) Emergence as a Sonic Construct. International Computer Music Conference Proceedings
Rebelo, P. (2005) Musical Prosthesis Leonardo Electronic Almanac
Rebelo P. van Walstijn M. (2004), Designing Acoustic Thresholds, Les journées du design sonore, IRCAM.
Coyne, Richard, Pedro Rebelo, and Martin Parker. (2004). Resisting the seamless interface. International Journal of Architectural Computing (IJAC), (4) 2, 430-442.
Performing Space
Pedro Rebelo, 2003
Organised Sound Vol. 8.2 Cambridge: Cambridge University Press + Symposium on Systems Research in the Arts: Music, Environmental Design, and the Choreography of Space 2003, Baden-BadenResisting the Smooth
Pedro Rebelo, Richard Coyne, 2003
eCAADe Digital Design Graz: eCAADeRebelo, P. (2004). Haptic Sensation and Instrumental Transgression. Senses Conference, London College of Music and Media, London
Al-Attili A, Young H J, Rebelo P and Coyne R (2003) The Design Implications of Time-Based Interactive Media GA2003 - 6th Generative Art Conference, Milan Italy
Rebelo, P. Coyne, R. Resisting the smooth: Time-based interactive media in the production of distressed space . (2003) eCAADe. Graz: eCAADe.
Coyne, R. Lee, J., Rebelo, P. (2003). Design and Digital Media Handbook . Under review, April 2003
Coyne, R., Rebelo, P., Lee, J. (2002). Interaction Design and Theory . HCI2002 International Conference: South Bank University London
Rebelo, P. (2001). On the Coherence of Sonic Space . CADE2001. Glasgow: The Glasgow School of Art Press.
Rebelo, P. (2002). music.pt . Diffusion. London: Sonic Arts Network.
Khazan, R., Rebelo, P. Deacon, A. (eds.) (2002). Earshot 3: Time and Visibility, Essays on Sound and Architecture . Dartington: UKISC
Rebelo, P. (2002). Interview with Daniel Libeskind. Earshot 1. Dartington: UKISC
Rebelo, P. Wagstaff, G. (eds.) (2001). Earshot 1. Dartington: UKISC
Rebelo, P. (2001). Laut on Laut. Número v. 11. Lisbon: Ópio
Rebelo, P. (2001). e-music Número v. 10. Lisbon: Ópio
Joint Papers: F. Schroeder + P. Rebelo
Wearable Music in Engaging Technologies
Wearable Technology Conference, Wales Newport, September 2005Oscillation
Performance for saxophonist, video and real-time sound processing controlled by motion capture data
Franziska Schroeder, Pedro Rebelo, Peter Nelson, 2003