Performance Listings:
[10 November '06] ZDB Lisbon
Ernesto Rodrigues, Guilherme Rodrigues, Pedro Rebelo, Keith Rowe

[28 July '06] Centro de Artes, Sines, Portugal
Fruit Music Quartet (Franziska Schroeder, Pedro Rebelo, Ulrich Mitzlaff, Pedro Carneiro)

[29 July '06] Praça do Sertório, Évora, Portugal
Fruit Music Quartet (Franziska Schroeder, Pedro Rebelo, Ulrich Mitzlaff, Pedro Carneiro)

[9 July '05] ZDB, Lisbon
Franziska Schroeder, Pedro Rebelo with Ulrich Mitzlaff and Carlos Zíngaro
ZDB Lisbon (Gallery Zedosbois)

Enmeshed (Michael Clarke)
[May '05] Sonorities Festival, Belfast

Concert for Retiring Saxophonist (2004)
This event uses five works as raw materials for a cinematic style of editing.The pieces (scenes) are cut with view to exploring juxtapositions and discontinuities.
[April '04] Sonorities Festival, Belfast
[February '04] Soundings, Edinburgh

[November '03] Harty Room, QUB Belfast

[October '03] Catalyst Arts Belfast

[October '03] dialogues, Edinburgh

[July '03] zdbmüzique

[October '02] dialogues, Edinburgh

[April '02] Sampling Ground (with U. Mitzlav and C. Santos) at zdbmüzique, Lisbon

[May '02] live | intervention @ the matthew gallery, Edinburgh

[December '01] zdbmüzique, Lisbon

[September '01] CIRCUS, Glasgow

[September '01] zdbmüzique, Lisbon

[April '01] CADE, Glasgow, UK

[April '01] Música Viva Festival 2001/Oporto

[February '01] Rotterdam Music Biennial

[February '01] Sound Practice, Dartington

Performance: Works

laut[omata].3 (2002) Digital Media
First Performance:11.11.02 The Spitz - Atlantic Waves Festival - London
Other Performances: 7.02.04 Soundings, Edinburgh
11.09.04 Musica Viva, Lisbon
24.05.05 Krakov, Poland

l a u t "Aquas Liberas" [Tenor Saxophone and Multimedia, 2001]Inspired by the Águas Livres Aqueduct - a site of monumental interest dominating Lisbon's topology.

John Cage "Ryoanji" 1983-85 [version for soprano saxophone and graphic tablet, 2001]
John Cage's "Ryoanji" (1983-85) is a series of pieces stemming from Cage's stone drawings and etchings of 15 stones, which he collected in the Ryoanji garden in Kyoto, Japan. The original version for oboe and percussion is being performed with soprano saxophone and graphic tablet. The tablet is an interface for a software instrument which renders the percussion part as well as two of the lines in the score. The gesture of drawing is translated into glissandi; a virtual grid triggers percussion samples.

Mauricio Kagel "Atem" 1969/70 [version for saxophones, kazoo, and electronics, 2000]
"A retired musician has been going through the same routine for years, namely keeping his instrument in top condition by painstakingly cleaning it. The various stages of the ritual are carried out with manic persistence and frequent stops"; this musician rarely gets around to actually playing." [Kagel in the comments to Atem]

Pedro Rebelo "Visceral ReActions" [alto saxophone and live-electronics, 1999]
The piece opens up a series of acoustic spaces, which take the timbral possibilities of the saxophone as structuring devices. Real-time electronics act as a way of contextualising the instrumental music into various sound worlds. The live-electronics part was realised in the Electronic Music Studios of the Edinburgh University.